The seedy is the everyday. $0.34M, Not Rated Newcomers to Bressons films may be surprised to hear that this is perhaps his most optimistic, open, sensuous and sexually charged film, given its dark Dostoyevskian subject-matter. | And thats how the film starts. This expos of a malicious small town in France must be one of the most depressed films to emerge from the period of the German Occupation: everyone speaks badly of everyone else, rumours of abortion and drug addiction are rife, and a flood of poison-pen letters raises the spiteful hysteria to epidemic level. He is sent to Barcelona, where he shares an apartment with a melting pot of nationalities including English rose Wendy, Italian stud Alessandro, kind-hearted Dane Lars and Belgian girl Martine. was an enchanting style exercise a 20s period piece about a fading silent film star, done in the style of actual 20s silent picture. But the characterisations are turned on their heads. | An absurd montage, combining hundreds of clips from a dozen American movies (including Jeremiah Johnson, All the Presidents Men and Rio Bravo), this surreal film is surprisingly entertaining, mostly because writer-directors Michel Hazanavicius and Dominique Mzerette really push the idea to extremes: all dialogue has been absurdly rewritten and dubbed back into French. | Stars: Claude Benedict, Not Rated 1940s, for a brief moment, Yankee imports crowded out indigenous films. In Marcel Carns rich, literary romance from 1945 (Frances answer to Gone with the Wind!), four men tussle for the affections of one woman, the conflicted, sphinx-like After shooting a man for which she was imprisoned, Therese protests her innocence, reluctant to tell her secret. Catherine Hessling, Stars: A charming scoundrel reflects on his exploits, from childhood through to manhood. Godard's first feature, adapted from an existing scenario written by Franois Truffaut, spins a pastiche with pathos as joyrider Belmondo shoots a cop, chases friends and debts across a night-time Paris, and falls in love with a literary lady. | Pretty cool post. Robert Bresson Castella (Bacri) is an industrialist, married, who in his own world, is king. | But the characterisations are turned on their heads. A dutiful trip to the theatre is a revelation. The theatrical life of a beautiful courtesan in 1830s Paris and the four men who love her. The film works as a one-sided love story, yet finds time to flesh out half a dozen peripheral characters, each in his or her own way as lovelorn and alone as the industrialist. TH, Clo from 5 to 7 (1962) was French new waver Agns Vardas second feature and is filled with the beauty of Pariss natural light. Agns Jaoui aims for the droll slow burn, subtle ironies and wry observation. Little is said, but past indiscretions hang in the air. But beyond the films titular concerns (My Sex Life), its strength is in its surprising progression. Such ethereal, delicately cinematic touches add to a film which is content to let a dazzling, witty script (by Jacques Prvert), sumptuous set design and exceptional performers lend the fiction its lifeblood. $0.17M, Not Rated The tug of love between the monster and the maiden is never overplayed, but neither does the film shackle this beast he remains unpredictable and threatening throughout. He wants to tell you stories, but he cant find a story big enough to deal with his sense of contrasts, his wish to grasp fleeting moments, his recurring memories. It deals only with the final stages of Joans trial and her execution and is composed almost exclusively of close-ups: hands, robes, crosses, metal bars, and (most of all) faces. Haneke erects four walls to keep out the rest of the world, contained almost entirely within one apartment over a period of some weeks and months. The effect flits between the wearying and engrossing, as some storylines and characters work far more than others. He knew there was likely no way a peasant girl who struggled at school would know this term. James, you're on target. DJ, Banned on its original release as too demoralising, and only made available again in its original form in 1956, Renoirs brilliant social comedy is epitomised by the phrase everyone has their reasons. During the late 1940s and early 1950s, much of this funding was allocated to French mainstream cinema with established directors and producers. Police officers flail helplessly as crowds of women march to the grotto to kneel. Charles Le Clainche, Le Masque describes how an old man wears a mask of youth at a dance hall to extend his youthful memories. Biography, Drama, History. This agile representation of 19th century Pariss dramaturgical demi-monde, shot in the midst of World War II, observes an enigmatic woman (Arletty) fancied by four unlike men (all grounded on real individuals): a thespian, a felon, a nobleman, and -most movingly- a mime (Jean-Louis Barrault, in a yearning-immersed act to be remembered). Refusing to raise the cap on our national debt would not lead to reduced government spending. ^ "Review of the film la Tradition de minuit (1939)". Taking his lack of faith in theatrical acting to its logical limit, Bresson perversely places the mute beast centre-screen as he passes from owner to owner, giving rides, heaving agricultural machinery, and receiving beatings and caresses in a coolly observed landscape of poverty and folly. PT, At first, Kechiches follow-up to the admirable La Faute Voltaire looks set to be a fairly routine account of life in the Maghrebi hood, with 15-year-old Krimo mooning over Lydia while his ex insists to any kid wholl listen that they havent in fact split up. The ecclesiastical jurists attempt to force Jeanne to recant her claims of holy visions. Truth is an affront to the original sin of pride, and every sinner hates truth to one degree or another, including feminist sympathizers who cannot conceive of heaven sending the pre-twentieth century world the message that Gods plan for each individual life begins at their conception and is therefore sacred from that moment. The cookie is used to store the user consent for the cookies in the category "Analytics". Director: Theres a comic-strip aspect, a roundelay of disguises, kidnappings, secret codes and acrobatic getaways. He meets there two fellow countrymen, Mulot and See full summary, Director: The fear of the impending war never leaves the guests of an hotel in Check out some of the. Paul Frankeur, Filmed in a spare, low-key fashion. 40 min This dubious trinity plans a heist facing terrible odds, till an unyielding inspector and their personal demons and histories seal their destinies. But dont overlook its impact on the horror genre, either. Centreing on a lavish country house party given by the Marquis de la Chesnaye and his wife (Dalio, Gregor), the film effects audacious slides from melodrama into farce, from realism into fantasy, and from comedy into tragedy. Clouzots misanthropy concludes in total defeat; his naggingly over-insistent style occasionally achieves a great blackness. Insane gadgets slam and roar, high heels click like metronomes, and even a depressed dachshund in a tartan overcoat obligingly submits to Tatis meticulous direction. Stars: Loulous non-judgmental insights into such universal concerns as happiness or love for others may seem initially too voyeuristic but, beware, they have a tricky habit of haunting you long after its ended. The 60s trappings and jazz-meets-psychedelia score are treasure enough in themselves, but its Derays beady concentration on the pointed silences and angled looks which really turn the screw. But also more secretive pointers to social circumstance and the exchange of guilt as Audrans starchy schoolmistress finds herself irresistibly drawn to the ex-army butcher she suspects of being the killer: the fact, for instance, that alongside the killer as he keeps vigil outside the schoolhouse, a war memorial stands sentinel with its reminder of societys dead and maimed. They razz each other about films, cartoons, nothing in particular, but always the gun hovers over them like a death sentence, the black-and-white focal point for all the hatred they meet with, and all they can give back. Even in its more surreal or cinematic moments, Fill er Up With Super feels incredibly fresh, authentic and uncensored; made like a shoestring documentary (with the director, camera and sound guys squeezed into the cars backseat), its a heady, poignant artefact of 70s filmmaking. Sun, sex and suspicion. In the 18th century game which Rohmer transposes to a contemporary setting, this pair can be seen as intellect trying to dominate instinct, but only succeeding in rousing unwanted passions. | Daniel Ivernel, Votes: Alain Jouffroy, Not Rated Les Diaboliques (1955) is the perfect psychosexual thriller, and this earlier effort is Hitchs bomb-under-the-table suspense formula burnished to an expert sheen. Stars: Transferring the action from the American Deep South to French West Africa in the late 30s, Tavernier elicits a characteristically colourful performance from Noiret as the manic but outwardly easy-going. Clement prefers a much more caring approach to schooling and he introduces his pint-sized pupils to the magic of singing. It is the film in which his signature digressiveness proves the funniest, freest and most touching. The priest and his superiors stand aloof from Bernadette. Instead of sharing the money, they buy a ruin and build an open-air cafe. He flees to Barcelona, where he runs out of money. Like Billy Liar made around the same time Umbrellas makes escapist. At WP Diamonds, we pay strong prices now. . Stars: Filmmakers from David Cronenberg to Eli Roth have been chasing the sensation ever since. Charles Blavette, Romy Schneider is all feline elegance and sphinx-like intelligence as the girlfriend of brooding wastrel Alain Delon. Enter the Void is his third feature and its a kinetic attempt, with added special effects, to capture the spirit of a city, Tokyo, and a dead young American, Oscar (Nathaniel Brown), whose ghost floats about in a vaguely Buddhist manner after being shot dead by cops soon after smoking the drug DMT. 88 min Rigorously absurd contemporary film noir which presents every character, incident and situation known to the genre, but none of the customary explanations, motivations or consequences. They dont, and Malles achievement lies not only in his subtle but clear delineation of his protagonists emotions but in his grasp of lifes compromises; his portrait of Parisian society is astringent, never facile. And although theyre more overtly erotic, can we call the likes of Deep End (1970), Bitter Moon (1992), Breaking the Waves (1996) and Intimacy (2001) British given complex co-production funding, multinational casts and directors hailing from Poland, France and Denmark? Vinz hangs out with Hubert (Kound) and Sad (Taghmaoui). Jean Renoir Some lovely Hitchcockian games, like the strange ketchup that drips onto a picnic hamburger from a clifftop where the latest victim has been claimed. Louis Jouvet, Guy Belmont, In other words, for most mainstream audiences, French is a code for pretentious. But the truth is, few countries can claim to have exerted as strong and consistent an influence over global moviemaking as France. Amateur illusionist Cline (Juliet Berto) and studious librarian Julie (Dominique Labourier) meet in a park and become practically inseparable so much so that they can try on each others identities like best friends swapping favourite apparel. Demys second musical film after The Umbrellas of Cherbourg, Une Chambre en Ville once again demonstrates the directors ability to whip even the most banal and formulaic story into a sublime frenzy of kitschy songs and dialogue, luscious costumes and scenery. Director: Hes lived in Canada and Chile, enjoyed a few girlfriends, but now hes single, serious and more committed to his religion and future. This cookie is set by GDPR Cookie Consent plugin. There is an achingly tender scene early on when Bernadettes mother (Anne Revere) is comforting her by the fire, telling her daughter that soon she will be married and have her own babies. In the age of Desperate Housewives and S&M porn, theres little in Belle de Jour that shocks but that seems beside the point. Marcel Lucien, 94 min Rgine Blaess, Not Rated TS, Godard's first feature, adapted from an existing scenario written by Franois Truffaut, spins a pastiche with pathos as joyrider Belmondo shoots a cop, chases friends and debts across a night-time Paris, and falls in love with a literary lady. Its a really very nice and useful post. It deals only with the final stages of Joans trial and her execution and is composed almost exclusively of close-ups: hands, robes, crosses, metal bars, and (most of all) faces. It has been accused of valuing style over substance, but place the film in its historical context and its true intent is revealed: in the wake of unimaginable horror, this kind of fantasy is still achievable, and perhaps more important than ever. The filmmaking is wildly inventive, but not in a clever-clogs manner. What is its mission now? But in another, this is his most personal work in years, less important for its return to narrative. 37,200 In addition, this era helped the rose of a sub-genre dubbed as womans film. Essentially its a work of low-key realism in the Bressonian tradition (albeit less obviously spiritual), though it includes odd touches, such as the local marching bands unexpectedly dissonant music, and a couple of brief sequences (involving body doubles) so sexually frank they look like out-takes from Ai No Corrida. Director: 102 min I was trying to find LikesWatch this information but you will discover very limited resources. He asks hard questions and creates a highly intelligent and astonishingly performed work. Raymond Clunie, Not Rated In spite/because of what must have seemed impeccable credentials Clair, the two leads, a screenplay by dramatist Armand Salacrou, and nostalgic, Mlis-inspired sets by Barsacq this version of the Faust legend is a turgidly literary cocktail of escapist fantasy and Sartrean engagement which could not even plead the excuse of Carns comparable Les Visiteurs du Soir of having been filmed during the Occupation. Even in the butchered version distributed in Britain (dubbed and cut to 102 minutes) its worth seeing: the mood remains, as does the films central sequence, a superbly executed silent jewel robbery in the Place Vendme. String that lot together and youve got a showbiz story to rank with A Star Is Born for sheer all-out melodrama. Antoine is an inept thief who winds up incarcerated; somehow, Truffaut turned this saga into one of the most joyous experiences you could ever have in the cinema. Varda prided themselves on it. The cookie is set by GDPR cookie consent to record the user consent for the cookies in the category "Functional". Sylvia Bataille, Anne-Marie joins a Dominican convent as a novice where she knows Therese. He gives us Malik (Tahar Rahim), a French-Arab convict who enters a concrete-and-steel hell to serve a six-year sentence. Crime, Drama. | (literally, Other Peoples Taste) is a culture-clash comedy with the emphasis on culture. Or was it somewhere else? 93 min ric Rohmer This cookie is set by GDPR Cookie Consent plugin. Quietly touching and profound, it epitomises the youthful delight Varda always shows for the tools at her disposal and her sensitive and easeful way of expressing the sways and shifts of life, love and desire. Unlike traditional buyers, we purchase your items directly. | The director of Hidden and The White Ribbon offers an intimate and brave portrait of an elderly Parisian couple, Anne (Riva) and Georges (Trintignant), facing up to a sudden turning point in their lives. The film gives us Jean-Louis (Jean-Louis Trintignant), a dapper 34-year-old engineer with a good line in wry, toothy smiles who works for Michelin in Clermont-Ferrand. Death. This is a deliciously languid, slinkily unsettling affair. $0.30M, 80 min 70 min Look out for your first newsletter in your inbox soon! Melvilles film had a major influence in Hollywood: Delon lying on his bed is echoed in Taxi Driver, and Paul Schrader might have remade Le Samoura as American Gigolo. The film cant help but resonate in the age of #MeTooif this is how the world treats girls who report miracles, how does it treat girls who report rape? To see this with Carl Daviss score (lashings of Beethoven) played live is an almost unimaginably thrilling experience. Imagine getting letters from a friend in Japan, full of images, sounds and ideas. Godards ambitious, sweeping eight-part video project exploring, as per the pun in the films title, the history, histories, story and stories of cinema, is often considered the most important work of his late career. French Cinema: A Critical Filmography (1940-1958) 1. if you are trying to comment, you must log in or set up a new account. | JR, Tatis first film in colour. Melvilles film had a major influence in Hollywood: Delon lying on his bed is echoed in Taxi Driver, and Paul Schrader might have remade Le Samoura as American Gigolo. Stars: The daughter falls in love with a man at the inn, where they spend the day. It may be Christmas for the troubled Vuillard clan in the north-west French town of Roubaix but its not shared seasonal goodwill thats bringing this extended brood back together in the family home. | | A romantic film, historical drama, and maybe at times comedy in equal parts, The Last Metro is Truffauts definitive homage to art conquering hardship. | This stunningly photographed and skilfully acted film uses an accretion of naturalistic detail to present an emotionally restrained but utterly compelling account of the last three months of van Goghs life. Based on Bacri and Jaouis award-winning play, the film avoids staginess, less through studied adjustment, than by naturalistic observation, delicately turned characterisation and confident performances. [1] In pre-First World War Paris, an aspiring artist falls in love with a dressmaker. Yvette Guilbert, No drops facts like lead balloons, but you have to admire Nos ballsy vision and loopy execution, and the way he sucks you into this world with such a bold fusion of sound and image. Drama, Romance, A young woman kills herself, leaving no explanation to her grief-stricken pawnbroker husband. Dreyers most universally acclaimed masterpiece remains one of the most staggeringly intense films ever made. Our newsletter hand-delivers the best bits to your inbox. was declared and finished during the Occupation. We already have this email. Perhaps strangest of all is that the protagonists girlfriend seems for most of the film to be the only young female in town, but thats a very minor. One of Resnaiss most underrated explorations of the tone of time and memory. By the way whatever happened to the letter that the lady gave to Bernadette to give to the pope to be opened in 1960? Marie Dubois, (In actuality, it was the eyeball of a dead horse getting slit open. A womanizing art dealer and a painter find the serenity of their Riviera vacation disturbed by a third guest, a vivacious bohemian woman known for her long list of male conquests. The face we see most is, naturally, Falconettis as Joan, and its hard to imagine a performer evincing physical anguish and spiritual exaltation more palpably. this helps us promote a safe and accountable online community, and allows us to update you when other commenters reply to your posts. Nothing about the films coming-of-age narrative, nor the rise and fall of its core romance, is intrinsically new or daring, yet Kechiches freewheeling perspective on young desire is uncommon in its emotional maturity. And God Created Woman. Corsican inmates rule the roost, led by ageing but vicious Csar (Niels Arestrup), who forces Malik to kill another inmate in an exceedingly disturbing episode. She loves anything genre (films & fiction) with a soft spot for horror and crime. But this fictionalized story of Bernadette Soubirous, a French peasant girl who claims she sees a mysterious Lady in a secluded part of the city dump, follows a classic horror-film structure in order to make a theological point that could not be more urgent and contemporary. Owing to its technical and artistic similarities with Feuillade's other films, Fantmas and Judex, the three are frequently thought of as a trilogy. Martin LaSalle, 105 min Serve a six-year sentence all-out melodrama ecclesiastical jurists attempt to force Jeanne to recant her claims of visions... A soft spot for horror and crime would not lead to reduced government.. Girlfriend of brooding wastrel Alain Delon but the characterisations are turned on their heads build. 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